Recent Ruins / Catalogue / Guides
Cleaning and stabilising
Remove only what is loose, and work upward from the gentlest method that does anything at all. Nothing you take off is coming back.
Start dry
Begin with a soft brush and a dry cloth and see how much of what you are looking at is simply dust and loose dirt. A surprising amount of what reads as a ruined finish is a layer sitting on top of an intact one. Photograph the piece before you start, because judgement drifts once you are half an hour into a surface.
Escalate slowly
If dry work is not enough, move to warm water and a mild detergent on a cloth rather than a flood, and dry immediately afterward. Only then consider a solvent, and only after testing it somewhere that does not show. Every step up in aggression should be a step you decided to take, not one you drifted into because the previous step was slow.
Leave stable corrosion alone
Not all corrosion is damage. A tight dark oxide on bronze or brass is protective and is part of the object's history. What matters is whether the corrosion is active: laminating rust that is jacking a joint apart, or a powdery bloom that returns after cleaning, is a problem to address. A stable dark surface that does not come off on a cloth is not.
Stabilise before you improve
Fix what is failing before you make anything look better. That means arresting active rust, consolidating a lifting finish, and supporting a cracked casting. Cosmetic work done over an unstable substrate has to be done twice, and the second time is always harder because the first attempt is now in the way.